You think I'd ever leave your side, Baby? You know me better than that. You think I'd leave you down when you're down on your knees? I wouldn't do that. I'll tell you you're right when you want, and only if you could see into me...
When you're cold, I'll be there, hold you tight to me.
When you're on the outside, Baby, and you can't get in, I will show you you're so much better than you know. When you're lost and you're alone and you can't get back in, I will find you, Darling, and I will bring you home. And if you want to cry, I am here to dry your eyes. And in no time, you'll be fine.
When you're cold, I'll be there, hold you tight to me.
When you're low, I'll be there, by your side, Baby.
My entire life has consisted of interpreting, misinterpreting, disinterpreting, and multi-interpreting things. It's my thang. This is directly representative of why I chose rhetoric as my field of love. Keeping in the theme, I've always been able to work love songs from different angles. Perhaps this has to do with the fact that I was born into a romance with my mother. She used to sing me love songs and make me the object of her affection.
I used to think unconditional love was about setting the house on fire and still getting Christmas presents. Over the years and screw-ups, I've learned that unconditional love is about falling in love with something as precious as a baby, as beautiful as a mother at the speed of light. Nothing else matters. All else is secondary.
This song is featured in an episode of Sex & the City, at the end of the episode during that final Carrie thought. As it scrolls over Aidan and her, Samantha and Richard, Charlotte and her Park Avenue apartment, it finishes with the scene of the most romantic, most incredible love there ever could be: Miranda feeling the first kick of her baby, and becoming euphorically happy. When I hear this song, it brings out ecstatic feelings of love for my mother.
When you're cold, I'll be there, hold you tight to me.
When you're low, I'll be there, by your side, Baby.
Wednesday, October 12, 2011
Wednesday, September 14, 2011
Whatever Works
Why torture yourself when you know you're in love? Throw your pride in the ocean and be happy beneath the stars above. Confess your feelings to the ones you love and let's live before it's too late. Let's live. Why deprive yourself of the wonders of life? Time is getting shorter. There's no reason for those lonely nights. If you don't love me, you'll miss the boat. Let's live. Before it's too late, let's live. Why should you live in a sad state of mind? Problems, problems, problems all the time. Do your best to get them off your chest. Everything, everything, everything will be just fine. Love is nice, love is sometimes cruel. When you've been in love, you've been to the greatest school. So try and make an A, honey, and I'll do the same. Let's live, before it's too late.
Let's live.
I'd like to say I came up with the above "paragraph," really a song by the great Aaron Neville. It's important to value these advising melodies. Not only because Aaron Neville is a legend, but also because he's telling us something so important, something I took perhaps too much to heart: that an agenda is nice and makes us feel organized, but that love and living comes first. Hell, I named my forgotten blog after this school of thought, coined by an extraordinary pair of psychologists. Well, at least I think Larry David and Woody Allen are psychologists.
That's why I can't say enough times: whatever love you can get and give, whatever happiness you can filch or provide, every temporary measure of grace, whatever works.
Let's live.
I'd like to say I came up with the above "paragraph," really a song by the great Aaron Neville. It's important to value these advising melodies. Not only because Aaron Neville is a legend, but also because he's telling us something so important, something I took perhaps too much to heart: that an agenda is nice and makes us feel organized, but that love and living comes first. Hell, I named my forgotten blog after this school of thought, coined by an extraordinary pair of psychologists. Well, at least I think Larry David and Woody Allen are psychologists.
That's why I can't say enough times: whatever love you can get and give, whatever happiness you can filch or provide, every temporary measure of grace, whatever works.
Tuesday, July 12, 2011
some deep poems
Sometimes as the sun sets on the south Cypresses
Behind Bob Butla’s bayou backhouse,
Smells of Sista Stella’s sweet savories
Bite Billy Bird in the butt.
Sista Stella styles her Salivating Snickerdoodles special
Because Billy Bird’s boat barely
Sets sideways on the swings
Before his big blue eyes come bobbin’ in the winda.
Sealing her sinfully seductive snacks with a smooch,
The big bootied baker begs Billy to
Stay south Sunday, since
Bob Butla would be by Beatrice in Beauregard
Same ol, same ol; somethin’ swarthy swimmin’ on Sunday, so
Billy’s boat gon’ be battlin’ the broad boughs of Bayou Baton.
Stella smiles silly as six seven-year-olds, simply snowed
By Billy’s bold-face lie; his butt gon’ be in Betty Brown’s Buick.
that Son of a Bitch
Behind Bob Butla’s bayou backhouse,
Smells of Sista Stella’s sweet savories
Bite Billy Bird in the butt.
Sista Stella styles her Salivating Snickerdoodles special
Because Billy Bird’s boat barely
Sets sideways on the swings
Before his big blue eyes come bobbin’ in the winda.
Sealing her sinfully seductive snacks with a smooch,
The big bootied baker begs Billy to
Stay south Sunday, since
Bob Butla would be by Beatrice in Beauregard
Same ol, same ol; somethin’ swarthy swimmin’ on Sunday, so
Billy’s boat gon’ be battlin’ the broad boughs of Bayou Baton.
Stella smiles silly as six seven-year-olds, simply snowed
By Billy’s bold-face lie; his butt gon’ be in Betty Brown’s Buick.
that Son of a Bitch
some deep poems
Perched in a convenient place,
It is used each morning and evening –
Sometimes in vain,
Often out of necessity.
It stares and it glares
While he sucks and tucks
And plucks those pesky nose hairs –
Never telling him what he doesn’t already know.
Never will it file a claim or seek revenge,
For it provides far better penance:
To remain honest and to remain the same
In the eyes of a changed man lying about
What really happened to his friend’s good name.
~A Murderer's Mirror - inspired by American Psycho
It is used each morning and evening –
Sometimes in vain,
Often out of necessity.
It stares and it glares
While he sucks and tucks
And plucks those pesky nose hairs –
Never telling him what he doesn’t already know.
Never will it file a claim or seek revenge,
For it provides far better penance:
To remain honest and to remain the same
In the eyes of a changed man lying about
What really happened to his friend’s good name.
~A Murderer's Mirror - inspired by American Psycho
Sense-making out of pure hating
9/13/10
They say you learn something new every single day. For some, this is a refreshing sentiment. For others of lesser brain capacity, this is kind of frightening. (One wonders what the kid obsessed with gaming at age twenty-two learns each day.) The fact of the matter is we are constantly churning our brains to make sense of things. When we hear of a new concept in class, our minds quickly search around for the easiest way to explain it. When we see a social abnormality waltzing down University sans shoes in forty degree weather, our brains make assumptions to draw conclusions. Our brains are working towards making sense of everything around us, including everyone else around us. Our text explains that people use three certain ideologies to make sense, as well as generalizations and stereotypes. Does that make sense?
There are three main ideologies dear to sense-makers, according to our text. The values people should pursue in various relationships, what communicative acts count as being reasonable or fair, and what appropriate communicative practices for persons of different master and intellectual identities. Each of these contributes to the art of sense-making, and each are embedded in our everyday lives, as well as in my life…and the lives of the strange creatures who flock to me on a daily basis. (This will make a lot more sense if you watch anything Larry David.)
A fellow in my poetry class detests me. His looks in my direction are dripping with disdain, he condescendingly speaks to me only when he needs to, and anything I say can and will be disputed. I do not necessarily consider myself a largely sensitive person, as I am pretty good about assessing the credibility of those who try to see me cry. BUT this boy made me think. And when I thought about it, he and I are not as different and I…thought.
A close reflection of every outfit I’ve ever worn to my poetry class on Tuesdays and Thursdays at 3:30 reveals that I actually have worn some form of Greek letters to every single one. (I frequent long walks with a friend of mine post-class, hence the ultra-srat over-sized t-shirt and, gasp, Nike running shorts.) With the benefit of the doubt on my side, I’ll go ahead and say that I am not actually the most grotesque female on this campus, and I hate poetry.
By contrast, this specific fellow in my poetry class is unkempt, dirty to the extent of stench surrounding up to a five-foot radius, rarely wears shoes, and is deeper and far more brilliant than you or anyone you know will ever be. Obviously. His t-shirts are ripped and dirty, the beginnings of his dreadlocks look more like the foundations for corn rows, and his demeanor is rugged. And by rugged I mean he comes in ten minutes late and sprawls out his things and is very animated, but not funny or sweet. He and I share one thing in common, however: we have both stereotyped one another, and our conclusions remain spiteful.
Over the past month, I have gone through the three main ideologies for making sense with him. First I assessed what could possibly come of a relationship with this person, as in which values should be pursued. After he wore a Tea Leaf Green t-shirt three classes in a row, I figured we could be friends on a music foundation. This was quickly shot down when he honestly did not believe that I had in fact seen said band five times in high school and met the keyboardist/lead vocalist. Speculatively, this individual never saw the “opportunity” in being a friend of mine. This speculation is based on the fact that he has ignored my meek greetings the two times I have seen him outside of class, and even once rolled his eyes at the sight of me accompanying my boyfriend to a popular student watering hole.
As for reasonable, fair, and/or friendly communicative acts, this student has been scolded several times by our professor for interrupting me, scoffing at me, and pretending to be asleep during the reading of one of my wildly entertaining poems. (I hate poetry.) As well, I find myself doodling or even text messaging while he saunters through his mundane stream-of-consciousness-style poems. In one instance, his poem clearly restated the exact same thought three times in a row, each masked within different fluffy upper crust, arrogant verbiage. Simply because he rips my poems to shreds, I said, “Aren’t these three lines kind of redundant?” Later that evening a picture frame fell off my wall with zero explanation. I’ll leave the assumptions up to you.
The appropriate communicative practices for people of different master identities is by far the loudest quality of the relationship I have with this…person. Where he is brilliant, I am a simpleton; where he is deep, I am the puddle of water accumulated from splashes of a child’s repetitive “watch this Mom!” cannonball spree. Anything I say is disputed, and anything he says I dismiss as an attempt to be wise. The key factor playing the largest role in this is not, however, the disdain we share for one another, but rather our assumptions.
Generalizations, according to Everyday Talk, are necessary reasonable tools for sense-making. This student sees only a few things when he looks at me: Greek letters, blonde hair, jewelry (though very modest compared to the thousand-dollar David Yurman which girls wear to the Rec…) a less than hideous face, and most terrifyingly, a seat in the ultra-exclusive club that is poetry class. He sees my poems as silly homework that I consider, according to him, just another ticket to my MRS degree. I plead guilty as well. I look at him and see a confused, sad person who is at all times trying to project power, knowledge, and arrogance at all times. I see someone so driven to non-conform that his actions do exactly that: conform. My generalizations of him are just as strong, if not stronger, as his for me. Because it makes sense to each of us.
They say you learn something new every single day. For some, this is a refreshing sentiment. For others of lesser brain capacity, this is kind of frightening. (One wonders what the kid obsessed with gaming at age twenty-two learns each day.) The fact of the matter is we are constantly churning our brains to make sense of things. When we hear of a new concept in class, our minds quickly search around for the easiest way to explain it. When we see a social abnormality waltzing down University sans shoes in forty degree weather, our brains make assumptions to draw conclusions. Our brains are working towards making sense of everything around us, including everyone else around us. Our text explains that people use three certain ideologies to make sense, as well as generalizations and stereotypes. Does that make sense?
There are three main ideologies dear to sense-makers, according to our text. The values people should pursue in various relationships, what communicative acts count as being reasonable or fair, and what appropriate communicative practices for persons of different master and intellectual identities. Each of these contributes to the art of sense-making, and each are embedded in our everyday lives, as well as in my life…and the lives of the strange creatures who flock to me on a daily basis. (This will make a lot more sense if you watch anything Larry David.)
A fellow in my poetry class detests me. His looks in my direction are dripping with disdain, he condescendingly speaks to me only when he needs to, and anything I say can and will be disputed. I do not necessarily consider myself a largely sensitive person, as I am pretty good about assessing the credibility of those who try to see me cry. BUT this boy made me think. And when I thought about it, he and I are not as different and I…thought.
A close reflection of every outfit I’ve ever worn to my poetry class on Tuesdays and Thursdays at 3:30 reveals that I actually have worn some form of Greek letters to every single one. (I frequent long walks with a friend of mine post-class, hence the ultra-srat over-sized t-shirt and, gasp, Nike running shorts.) With the benefit of the doubt on my side, I’ll go ahead and say that I am not actually the most grotesque female on this campus, and I hate poetry.
By contrast, this specific fellow in my poetry class is unkempt, dirty to the extent of stench surrounding up to a five-foot radius, rarely wears shoes, and is deeper and far more brilliant than you or anyone you know will ever be. Obviously. His t-shirts are ripped and dirty, the beginnings of his dreadlocks look more like the foundations for corn rows, and his demeanor is rugged. And by rugged I mean he comes in ten minutes late and sprawls out his things and is very animated, but not funny or sweet. He and I share one thing in common, however: we have both stereotyped one another, and our conclusions remain spiteful.
Over the past month, I have gone through the three main ideologies for making sense with him. First I assessed what could possibly come of a relationship with this person, as in which values should be pursued. After he wore a Tea Leaf Green t-shirt three classes in a row, I figured we could be friends on a music foundation. This was quickly shot down when he honestly did not believe that I had in fact seen said band five times in high school and met the keyboardist/lead vocalist. Speculatively, this individual never saw the “opportunity” in being a friend of mine. This speculation is based on the fact that he has ignored my meek greetings the two times I have seen him outside of class, and even once rolled his eyes at the sight of me accompanying my boyfriend to a popular student watering hole.
As for reasonable, fair, and/or friendly communicative acts, this student has been scolded several times by our professor for interrupting me, scoffing at me, and pretending to be asleep during the reading of one of my wildly entertaining poems. (I hate poetry.) As well, I find myself doodling or even text messaging while he saunters through his mundane stream-of-consciousness-style poems. In one instance, his poem clearly restated the exact same thought three times in a row, each masked within different fluffy upper crust, arrogant verbiage. Simply because he rips my poems to shreds, I said, “Aren’t these three lines kind of redundant?” Later that evening a picture frame fell off my wall with zero explanation. I’ll leave the assumptions up to you.
The appropriate communicative practices for people of different master identities is by far the loudest quality of the relationship I have with this…person. Where he is brilliant, I am a simpleton; where he is deep, I am the puddle of water accumulated from splashes of a child’s repetitive “watch this Mom!” cannonball spree. Anything I say is disputed, and anything he says I dismiss as an attempt to be wise. The key factor playing the largest role in this is not, however, the disdain we share for one another, but rather our assumptions.
Generalizations, according to Everyday Talk, are necessary reasonable tools for sense-making. This student sees only a few things when he looks at me: Greek letters, blonde hair, jewelry (though very modest compared to the thousand-dollar David Yurman which girls wear to the Rec…) a less than hideous face, and most terrifyingly, a seat in the ultra-exclusive club that is poetry class. He sees my poems as silly homework that I consider, according to him, just another ticket to my MRS degree. I plead guilty as well. I look at him and see a confused, sad person who is at all times trying to project power, knowledge, and arrogance at all times. I see someone so driven to non-conform that his actions do exactly that: conform. My generalizations of him are just as strong, if not stronger, as his for me. Because it makes sense to each of us.
Man in the wheelchair wearing dirty shoes
I am very cynical. I know this. I own this. I judge and stereotype and I know it is awful, but I do it. I do not do it out of meanness, but rather out of creativity. For example, I saw a man the other day in Publix, in a wheelchair, with dirty shoes. The man remained fixated on the cereals. Was it granola or something sugary? As he reached for the Kelloggs of his choice, he felt eyes on his shoes. His shoes, dirty and worn-out, were being mentally interrogated by a young blonde woman, obtaining the very same cereal box.
I imagined that just before his journey to the grocery, this man had wheeled into his living room, banging his elbows on the doorframe and losing his patience over the fresh black marks on his wooden floor. The remote was just out of reach, and sat mocking him from the mantel. He was going to ring his grandson’s neck the next time he saw him.
Just three weeks before that night, the man was fully functioning physically, and got into the truck like he did every night on his way home. Tonight was the night he and his grandson sat down and made the grocery list for the rest of the week, and he was trying not to forget about the cereal he had tried earlier from a friend. He never even felt the cab of the eighteen-wheeler hit him, and he never felt the pain of the ground slamming his body. As he tried to stand, the mud enthralled him, and his shoes were completely submerged in a lake of motor oil and wet earth. His legs, he could not feel, but the fear and the shots, he would never forget.
This is why Publix is always a pleasure.
I imagined that just before his journey to the grocery, this man had wheeled into his living room, banging his elbows on the doorframe and losing his patience over the fresh black marks on his wooden floor. The remote was just out of reach, and sat mocking him from the mantel. He was going to ring his grandson’s neck the next time he saw him.
Just three weeks before that night, the man was fully functioning physically, and got into the truck like he did every night on his way home. Tonight was the night he and his grandson sat down and made the grocery list for the rest of the week, and he was trying not to forget about the cereal he had tried earlier from a friend. He never even felt the cab of the eighteen-wheeler hit him, and he never felt the pain of the ground slamming his body. As he tried to stand, the mud enthralled him, and his shoes were completely submerged in a lake of motor oil and wet earth. His legs, he could not feel, but the fear and the shots, he would never forget.
This is why Publix is always a pleasure.
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